Peter Thomas
Peter Thomas
Never too late to love you 5, 2019
Monotype and earth, smoke, water, fire on cotton rag paper
53 cm by 40 cm
Never too late to love you 5, 2019
Monotype and earth, smoke, water, fire on cotton rag paper
53 cm by 40 cm
Peter Thomas
Never too late to love you 2, 2019
Monotype and earth, smoke, water, fire on cotton rag paper
53 cm by 40 cm
Never too late to love you 2, 2019
Monotype and earth, smoke, water, fire on cotton rag paper
53 cm by 40 cm
Peter Thomas
QBH, 2012
Ink on cotton rag paper, unframed
104.5 cm by 74.5 cm
$1,800
QBH, 2012
Ink on cotton rag paper, unframed
104.5 cm by 74.5 cm
$1,800
Peter Thomas
Echo 2, 2013
Ink and dye on cotton rag paper, framed
108 cm by 108 cm
$2,200
Echo 2, 2013
Ink and dye on cotton rag paper, framed
108 cm by 108 cm
$2,200
Peter Thomas
Beaconsfield, 2012
Ink on cotton rag paper, unframed
39 cm by 29 cm
$700
Beaconsfield, 2012
Ink on cotton rag paper, unframed
39 cm by 29 cm
$700
Peter Thomas
United States, 2012
Ink on cotton rag paper, unframed
39 cm by 29 cm
$700
United States, 2012
Ink on cotton rag paper, unframed
39 cm by 29 cm
$700
Peter Thomas
Salt, 2012
Ink on cotton rag paper, framed
45 cm by 33 cm
$990
Salt, 2012
Ink on cotton rag paper, framed
45 cm by 33 cm
$990
Peter Thomas
Holy Mission, 2013
Ink and dye on cotton rag paper, unframed
108 cm by 108 cm
$1,800
Holy Mission, 2013
Ink and dye on cotton rag paper, unframed
108 cm by 108 cm
$1,800
Peter Thomas
Echo, 2011
Ink and dye on paper, framed
108 cm by 108 cm
$2,200
Echo, 2011
Ink and dye on paper, framed
108 cm by 108 cm
$2,200
Peter Thomas
Slashed up gold & red, 2018
Acrylic, dry pigment and Forton MG on felt mounted on panel, framed
43 cm by 42 cm each
$2,500
Slashed up gold & red, 2018
Acrylic, dry pigment and Forton MG on felt mounted on panel, framed
43 cm by 42 cm each
$2,500
Peter Thomas
Eruption, rupture, rapture, 2018
Acrylic and enamel on felt mounted on panel
96 cm by 76 cm
$2,800
Eruption, rupture, rapture, 2018
Acrylic and enamel on felt mounted on panel
96 cm by 76 cm
$2,800
Peter Thomas
the more I see you the less I like you, 2018
Acrylic, hydrostone and enamel on felt mounted on panel, framed
40 cm by 35 cm
$990
the more I see you the less I like you, 2018
Acrylic, hydrostone and enamel on felt mounted on panel, framed
40 cm by 35 cm
$990
Peter Thomas
incapable of change, 2018
Acrylic, hydrostone and enamel on felt mounted on panel, framed
40 cm by 35 cm
$990
incapable of change, 2018
Acrylic, hydrostone and enamel on felt mounted on panel, framed
40 cm by 35 cm
$990
Peter Thomas
how many ways would you like me to tell you the same thing?, 2018
Acrylic, hydrostone and enamel on felt mounted on panel, framed
40 cm by 35 cm
$990
how many ways would you like me to tell you the same thing?, 2018
Acrylic, hydrostone and enamel on felt mounted on panel, framed
40 cm by 35 cm
$990
Peter Thomas
a necessary evil, 2018
Acrylic, hydrostone and enamel on felt mounted on panel, framed
40 cm by 35 cm
$990
a necessary evil, 2018
Acrylic, hydrostone and enamel on felt mounted on panel, framed
40 cm by 35 cm
$990
Peter Thomas
Trajectory, 2017
Acrylic, enamel and oil on felt mounted on panel
96 cm by 76 cm
$2,800
Trajectory, 2017
Acrylic, enamel and oil on felt mounted on panel
96 cm by 76 cm
$2,800
Peter Thomas
Reverse axe, 2017
Acrylic, enamel and oil on felt mounted on panel
96 cm by 76 cm
$2,800
Reverse axe, 2017
Acrylic, enamel and oil on felt mounted on panel
96 cm by 76 cm
$2,800
Peter Thomas
Eruption, rupture, rapture, 2018
Acrylic and enamel on felt mounted on panel
96 cm by 76 cm
$2,800
Eruption, rupture, rapture, 2018
Acrylic and enamel on felt mounted on panel
96 cm by 76 cm
$2,800
Peter Thomas
caught in the weeds, 2017
Acrylic and enamel on felt mounted on panel
96 cm by 76 cm
$2,800
caught in the weeds, 2017
Acrylic and enamel on felt mounted on panel
96 cm by 76 cm
$2,800
Peter Thomas
...but you ARE angry, 2018
Acrylic and enamel on felt mounted on panel
96 cm by 76 cm
$2,800
...but you ARE angry, 2018
Acrylic and enamel on felt mounted on panel
96 cm by 76 cm
$2,800
Peter Thomas
Outcrop, Gariwerd, 2017
Screen print on enamel on wool felt mounted on a panel
97 cm by 76 cm
$3,500
Outcrop, Gariwerd, 2017
Screen print on enamel on wool felt mounted on a panel
97 cm by 76 cm
$3,500
Peter Thomas
The Camp, 2016
Screen print on wool felt mounted on a panel
20 cm by 20 cm
$390
The Camp, 2016
Screen print on wool felt mounted on a panel
20 cm by 20 cm
$390
Peter Thomas
A mallet and a box cutter, 2017
Enamel and laminate paint on wool felt on panel
96 cm by 76 cm
$2,800
A mallet and a box cutter, 2017
Enamel and laminate paint on wool felt on panel
96 cm by 76 cm
$2,800
Peter Thomas
A tomahawk and a knife, 2017
Enamel, dry pigment, acrylic and Forton MG on wool felt on panel
96 cm by 76 cm
$2,800
A tomahawk and a knife, 2017
Enamel, dry pigment, acrylic and Forton MG on wool felt on panel
96 cm by 76 cm
$2,800
Peter Thomas
Cage, 2017
Enamel and acrylic on wool felt on panel
96 cm by 76 cm
$2,800
Cage, 2017
Enamel and acrylic on wool felt on panel
96 cm by 76 cm
$2,800
Peter Thomas
Cinema Black, 2017
Enamel and acrylic on wool felt on panel
96 cm by 76 cm
$2,800
Cinema Black, 2017
Enamel and acrylic on wool felt on panel
96 cm by 76 cm
$2,800
Peter Thomas
The Yeti, 2017
Enamel, varnish and acrylic on wool felt on panel
96 cm by 76 cm
$2,800
The Yeti, 2017
Enamel, varnish and acrylic on wool felt on panel
96 cm by 76 cm
$2,800
Peter Thomas
Aire river beach, Gadabanud country, 2017
Screen print on enamel on wool felt mounted on a panel
97 cm by 76 cm
Finalist, 2017 Hadley's Art Prize
$3,500
Aire river beach, Gadabanud country, 2017
Screen print on enamel on wool felt mounted on a panel
97 cm by 76 cm
Finalist, 2017 Hadley's Art Prize
$3,500
Peter Thomas
Makeshift Memorial, 2015
Oil on panel
Signed, titled and dated verso
120 cm by 140 cm
$5,000
Makeshift Memorial, 2015
Oil on panel
Signed, titled and dated verso
120 cm by 140 cm
$5,000
Biography
Peter Thomas is a Melbourne based artist who makes work that addresses violence, trauma and memory.
He holds a Master of Fine Art from the Victorian College of the Arts, University of Melbourne, and was that year’s recipient of the Athenaeum Club Acquisitive Prize. In 2012 he was awarded the inaugural Stuart Black Travelling Scholarship. He has been shortlisted for the 2012 Swan Hill Print and Drawing Award, 2016 Paul Guest Award and 2017 Hadley’s Art Prize. His work as been collected by Artbank and is held in several private collections.
Listen to Peter Thomas’ interview on his Fox Galleries solo Manipulations on The Arts Show hosted by Alex McCulloch, which aired 14 March 2018 on Melbourne 87.8 FM.
EDUCATION
2009-2010 Master of Fine Art (research), VCA
2008 Postgraduate Diploma of Visual Art, VCA
1994 – 1996 Bachelor of Arts (Fine Arts – Printmaking) RMIT University
AWARDS
2017 Finalist, Hadley’s Art Prize
2016 Finalist, Paul Guest Prize
2015 Finalist, M Collection Award
2012 Stuart Black Memorial Travelling Scholarship
2012 Finalist, Swan Hill Acquisitive Print and Drawing Awards
2010 Athenaeum Club Acquisitive Award winner
2010 Australian Postgraduate Award Scholarship
2010 Friends of the VCA Arts Grant Recipient
2009 Friends of the VCA Arts Grant Recipient
2008 Finalist for The Athenaeum Club Award
SELECTED RECENT EXHIBITIONS
2019 Aftermath (solo), Fox Galleries, Melbourne
2018 Manipulations (solo), Fox Galleries, Melbourne
2017 Hadley’s Art Prize exhibition, Galleries at Hadley’s Orient Hotel, Hobart
2016 Night Club (solo), Fox Galleries, Melbourne
2016 Paul Guest Award exhibition, Bendigo Art Gallery, Bendigo
2015 UnCollected Works (solo), Rubicon ARI, Melbourne
2014 NotFair 2014, Grace Darling Hotel, Melbourne
2013 Coma Country (solo), Linden Contemporary Art, Melbourne
